In my opinion, the permanent rooms at the ground floor, dedicated to the international art, are by far the most intriguing from all the exhibitions.
The collection from the European artists is considered to be the most significant in South America.
You’ll come across the works of Rembrandt Harmenszoon van Rijn, Auguste Renoir, Wassily WassilyevichKandinsky, Tintoretto, Amedeo Modigliani, Francisco José de Goya and Jean Désiré Gustave Courbet, just to name a few illustrious painters.
Although it was difficult to leave such masterpieces behind, my friend Catalina is completely right: if you come to South America, try to commit more time for South American art, instead the European one.
So I continued to the first floor, where the exhibitions are dedicated to the Argentinean and Latin American painters from the 19th and 20th century.
Three works impressed me more than any other:
Desnudo (Mujer oriental) from Severo Rodriguez Etchart 1889. The perfect white skin, the head ornament with gold coins, and her body stretched over oriental fabrics, it all appears extremely exotic. All the hints show, that she is a woman knowing luxury and exotic glamour.
On the same wall, exactly at a hand stretch from Severo Rodriguez Etchart’s painting, is another masterpiece. This belongs to the Argentinean painter, Eduardo Sivori and is named La lever de la bonne (El despertar de la criada).
Another female body, but this time the muse doesn’t know either glamour or luxury. Her body appears sick, tortured, and her feet, the same who will narrate her life story, are gnarled, ugly and neglected.
She isn’t a muse, but probably a working-class woman.
She isn’t idolized, but rather respected for her life story. Still neither her, nor her body will inspire future artists.
Exquisite, how the two paintings sit side by side on the same wall, making you think what the essence of true art is. While Sivori presents a symbol of the Argentinean 19th century society, a heroine of the working class which sacrifices her personal comfort for the daily existence, Etchart’s muse, is a sensual concubine, a beautiful body without a place either in history or the collective memory.
Angel della Valle’s La Vuelta del Malon, is clearly one of the most remarkable paintings of 19th century Argentinean art. La Vuelta del Malon has a brutal realism to it, and both: subjects, and the Indian theme have a strong visual impact.
If all these still didn’t impress you, I would recommend a visit at MNBA, because each image there, has its own story…and these are stories worth listening to.